Hooked on Thai silk

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By Jenny Ekberg
My grandmother Sonja Hahn-Ekberg (post coming soon!) was a world-renown textile artist. Her medium was Thai silk thread, and she taught me and my best friend Isabell to make bracelets using her technique. I remember us giggling, posing for the camera with our creations; one of the best afternoons of my fleeting teenage hood.

I have had Thai silk scraps sitting around for ages, and suddenly I had an urge to try it. I bundled the scraps into my backpack and headed to the beach. At night, by candlelight, I pulled them out.

After 5 minutes, dangerously close to the flame, I was hooked. I know now that I will never stop. My first test strip is a far cry from the shimmering silk sheets my grandmother created, but it is a start.

Kabul in my heart

Kabul in my heart
By Jenny Ekberg
When I say “Kabul”, my four-year-old daughter squeals with excitement. She remembers the exhibition we went to (Hidden Treasures from the National Museum, Kabul); the the Grecian-styled statues, the tiles in thousand shades of blue, the buttery high carat gold. I think of a city of war, injustice, poverty and suffering, where patches of brilliant architecture, art and colours shine through dust. I think about people of strength, courage, survival instinct and complexity.

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No, I haven’t been there, I have only watched TV, movies, documentaries, art exhibitions and, above all, met lots of Afghans; all of whom have been amazing in their own right, some tough as nails, some very intellectual and witty, some bound by traditions, some trendy or glamorous, some just incredibly warm and hospitable. They have all made a huge impression on me.

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I made this fine silver heart inspired by the people of Kabul. The architectural outside is crumbling but iridescent, and the inside is coated with that high-carat gold I have only really seen in old Afghan jewellery. It has a hidden compartment containing a piece of Afghan fabric holding incense.

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Material: Fine silver with 22 K gold filling, cloth, incense.
Technique: Metal clay (PMC3), stenciling with slip, liver of sulphur/ammonia patina, cold joined.
Who is it for: Myself, and my daughter Zoƫ when she is older and maybe wants to borrow it.
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If you are a jewellery artisan and wants to know more about how I made this necklace, please contact me. I am happy to share all my “secrets”!

Image credits: Afghanistaninphotostumblr.com, National Museum of Afghanistan, Queensland Museum, Wikipedia, James St John, Brisbane.