We have had a few people telling us that they found it hard to find photos of our jewellery in our blog. Therefore, we have now made a gallery page where you can see examples of our jewellery made by Jenny Ekberg. We will update the page when we make new collections. You can access the page through the “our collections” tab in the black menu above, or via this blog post.
Hopefully it will now be easier to find our work in the maze of the World Wide Web.
Jenny and team.
Please click on the images to get to the galleries.
Just finished this necklace after tweaking, re-shaping and re-patinating for the millionth time; my version of the obligatory dream catcher necklace. I made it in fine silver using the same techniques as for my Kashgar ring, and with LOTS of effort and help from my husband managed to set this irregular cluster of amethyst crystal tips, as dark as the darkest violets in a springtime forest.
So, here are the facts: Material? fine silver, amethysts, liver of sulphur patina Inspiration? architecture in Kashgar, China How long did it take? About 3 months (note that I can only work at the bench a stolen night here and there) For who? Myself this time!
It is 00.30 so I better go to sleep. Outside the darkness is like black velvet and the poodles are howling at possums jumping on the roof like drunken ghosts.
By Jenny Ekberg
There is something about horse shoes. How can something so rustic feel so magical?
As a child in Sweden, I would watch in awe my practical, earthy grandparents turn silent and supersticial when stumbling over a rusty horse shoe digging in their garden. Inspired by old Central Asian Turkoman silver necklaces, and by jewellery artist Pamela Love (see my post about Pamela here), I suddenly got an urge to make my own spiked horse shoes. These are my first attempts; one in fine silver, one in bronze. Already, they are amongst my most worn pieces of jewellery; they are extremely versatile and do feel a little magical, actually.
When I get homesick for Sweden, where I grew up, I always do one of two things. I either make some mulled wine, even if it is almost 40 degrees Celsius outside, or I make a Swedish house necklace.
This one in fine silver is my favourite, it has a chimney and little golden heart on the door and looks a lot like my family’s falu red summer cottage outside the small town of Kalmar in the south of Sweden. No straight angles, wild garden, pear trees full of white fragrant flowers in springtime, surrounded by fog thick like dancing elves in Autumn mornings.